Kyle Vanderburg, DMA
Composer in Residence / Asst. Prof. of Practice Challey School of Music North Dakota State University
Music Ed. 115C / Dept. 2540, PO Box 6050 / Fargo ND 58108-6050
ndsu.edu | kylevanderburg.com | ndsucomposition.com
Hi everyone,
I wasn’t sure exactly what Catherine’s experience has been other than I know that her classroom teaching has been significant and successful. I asked her to send me her CV and I have attached it for you all to look at.
According to her CV, she has taught both first- and second-year music theory and ear training several times, both at NDSU and at SDSU. She’s also taught numerous undergraduate- and graduate-level seminars at NDSU in voice related courses such as pedagogy, opera literature, and diction. She was the recipient of the Outstanding Graduate Student Teacher in 2018.
Her dissertation was focused on a song cycle written by Libby Larsen, which featured some analysis in it as the whole document is intended to be a performer’s guide. And she has also had quite a few regional and national presentations at various conferences, notably her presentation titled “Dominick Argento's Use of Motives and Twelve-tone Techniques in 'From the Diary of Virginia Woolf' that was presented at a regional CMS conference in 2016.
In regards to having a formal credential such as the MM in Theory Pedagogy, she was advised not to pursue that degree at NDSU by John Miller who apparently told her that she did not need to that credential since her teaching experience would be viewed as an “equivalent.” I have no way of verifying this information - it’s just what Catherine has told me on a number of occasions in casual conversations, but perhaps if John doesn’t want to do the graduate course, he might be willing to vouch for Catherine’s ability to teach it - or you could move some people around - perhaps Cassie or Will would teach the graduate course and Catherine could teach one of the undergraduate courses.
Either way, it does concern me that there seems to be one set of “requirements” for who will teach the graduate theory courses but another set of requirements for who would teach the history. It’s not my intent to talk anyone out of a job, because I believe both Catherine and Mara would be excellent in these respective roles. However, I think it’s worth noting that while Mara had a strong dissertation and has some research activity in the realm of musicology/music history, the same could be argued for Catherine in theory. Additionally, Mara has never taught any course - undergraduate or graduate - in the classroom, whereas Catherine has many years of teaching different courses at both levels (and has won awards that I assume were supported/nominated from our own School). My opinion is that we need to hold the staffing options for both to the same standard.
Thanks,
Kelly
________________________
KELLY W. BURNS, DMA
Associate Professor of Voice
Director of NDSU Opera
Challey School of Music
NORTH DAKOTA STATE UNIVERSITY
Pronouns: he, him, his
From: Vanderburg, Kyle Date: Tuesday, July 22, 2025 at 1:28 PM To: Burns, Kelly , Moe, Charlette , Iverson, Jacoba , Wottrich, Tyler , Law, William Subject: Re: Summary for 07/21/2025 Meting
Sure—I can't speak in depth to Cassie's concerns because she's at IMC this week, but she says Catherine is not a graduate level analyst.
For my concerns, I don't know Catherine's history all that well, but I haven't seen paper evidence that she's qualified to teach a graduate theory course. For the current Theory faculty, Cassie and Will have Master's degrees in theory pedagogy, I have 18-ish grad credits in theory, and Tyler is Tyler. With what I have available to me, I'm seeing that Catherine took 6 credits of theory here (counterpoint and analytical techniques), and she would have been required to take a 3-credit "Perspectives of Music Theory" course at UND (per https://und-public.courseleaf.com/archives/2011-2013_UND_Academic_Catalog.pdf, page 374).
Willing to revisit if you have additional information regarding Catherine's qualifications.
I realize that a similar argument can be made against Mara teaching graduate history. However, Mara's research record (Hugo Daffner; Holocaust non-survivor poetry lecture-recital) makes a compelling case under policy 309, section 2.1.
-Kyle
From: Burns, Kelly Sent: Tuesday, July 22, 2025 11:20 AM To: Moe, Charlette ; Vanderburg, Kyle ; Iverson, Jacoba ; Wottrich, Tyler ; Law, William Subject: Re: Summary for 07/21/2025 Meting
May I ask what the concerns are for Catherine?
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From: Moe, Charlette Sent: Tuesday, July 22, 2025 9:14 AM To: Vanderburg, Kyle ; Iverson, Jacoba ; Wottrich, Tyler ; Law, William ; Burns, Kelly Subject: Re: Summary for 07/21/2025 Meting
Thank you, Kyle, for sending the email. I was wondering if Catherine had a degree that would qualify her to teach a graduate theory course. I believe that in our NASM report, they look for qualifications which align with courses, especially at the graduate level?
From: Vanderburg, Kyle Sent: Monday, July 21, 2025 4:31 PM To: Iverson, Jacoba ; Wottrich, Tyler ; Law, William ; Moe, Charlette ; Burns, Kelly Subject: Re: Summary for 07/21/2025 Meting
Cassie and I have briefly discussed the possibility of Catherine teaching Form and Analysis, and we have reservations about Catherine teaching a grad theory course.
If that's direction we need to go for staffing reasons, it may make more sense to juggle the theory assignments this fall and have Will or me take the topics course, and have Catherine cover theory I or III.
From: Iverson, Jacoba Sent: Monday, July 21, 2025 3:30 PM To: Wottrich, Tyler ; Law, William ; Moe, Charlette ; Burns, Kelly ; Vanderburg, Kyle Subject: Summary for 07/21/2025 Meting
Below is a summary of next steps from the meeting. Please let me know if I misunderstood anything or how I can help at all,